Come Visit Me at the New Site!

July 27, 2013 § Leave a comment

Hi folks! I moved! Please check out www.tennysontippy.com/blog to view past, current and future musings on art, design, decorative history and beautiful things. Thank you for visiting!

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Eggplant and Champagne. A perfect match.

February 28, 2013 § Leave a comment

neighborhoodWhile enjoying a lovely pre-spring walk, I snapped a photo of a favorite home in my neighborhood. Years ago, when I first saw the house, I thought the colors a bit (too) daring. Maybe even garish. But after many evening walks, these paint colors have warmed their way into my heart. I now see their combination as strong, inviting, and livable. Far from the acidic yellow and candy coated purple on the color chart, these complimentary colors truly do compliment each other.

The Eggplant and Champagne combination (and it’s variations)  is timeless, provocative, and in it’s own way, quiet.

courtesy of atlanta-homes-lifestyles

courtesy of atlanta-homes-lifestyles

collectorsprints.com

Photo © Matthew Millman; Jute Interior Design

Photo © Matthew Millman; Jute Interior Design

The Magical Power of Early Color Photography

February 22, 2013 § 1 Comment

autochrome-maynard-owen-william-bateaux-sur-la-plage-par-temps-d-orage-rowboatson-beach-southern-franceI recently discovered the Autochrome: the world’s first color process photography. I imagined color photography prior to Techicolor (the visually rich world of mid-century films like Gone With The Wind and National Velvet), would represent an either extreme or muted version of reality. However, the Autochrome’s subtle texture and soft hues capture something so real and vivid about the world that I now see digital photography as a bit more stark and sterile. Over a hundred years since their capture, these autochromes still feel alive and vital.
I would love to fill a wall with these photographs. They would enrich any room, and the lives of it’s inhabitants.

autochrome DSK77-AUTOCHROME-1822 Louis Ducos du Hauron - Duhauron1877 Autochrome 13x18 v3A Brief History

(From npr.com) In 1903, the Lumiere brothers patented the first commercially successful color process, which they called the Autochrome Lumiere. It involved glass plates, a backlight, soot and (oddly) potato starch — and it revolutionized photography. Magazines like National Geographic started dispatching photographers to shoot with autochromes; documentary fieldwork became more feasible with this relatively portable medium. For about 30 years, it was the most widely used process for capturing color.

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Map It! My top picks for Map Wallpapers

February 6, 2013 § Leave a comment

LONDONLONDON by Thibaut

I love a good map wallpaper. In general, transforming something typically viewed at a small scale into something oversized makes for some pretty interesting and fun wall surfaces (like this one!)

Maps, often seen at arms length, become magnificent illustrations when seen at 20x their normal size. Map wallpapers make wonderful feature walls, often requiring little additional styling.

__auto_tile_2628__084576full Ferdinand by Sandberg

I love a good map wallpaper. In general, transforming something typically viewed at a small scale into something oversized makes for some pretty interesting and fun wall surfaces (like this one!)

Maps, typically seen at arms length, become magnificent illustrations when seen at 20x their normal size. Map wallpapers make wonderful feature walls, often requiring little additional styling.

london-z (design) London -by Zoffany

Map wallpaper can take on many styles, from a studious masculine look, to modern nautical, there are maps for any mood.

LCW22213WGreat Harbor-Ralph Lauren Home

LWP60735W Desert Map by Ralph Lauren Home

New-Revised#6 1889 Map of Paris

Beautiful Disasters: Why We Love Shipwrecks

December 31, 2012 § 1 Comment

shipwreck_480Claude Joseph Vernet, The Shipwreck, 1772 (National Gallery of Art, Washington)

I visited the Philadelphia Museum of Art’s exhibition, “Shipwreck! Winslow Homer and ‘The Life Line” on a blustery, snowy December day. A perfect setting to absorb the chilly, complex, and sensual shipwreck paintings curated from a diverse group of artists spanning the course of 150 years. The show’s central piece “The Life Line” is one of Homer’s best known, but not his best.

philadelphiaImage5The Life Line, 1884. Winslow Homer. (Philadelphia Museum of Art)

Homer, a New England native, began his career creating illustrations for Harper’s Weekly. His early paintings demonstrate a strong narrative component, of which “The Life Line” is a prime example. In this painting, we see a shipwrecked woman rescued by an anonymous (his face obscured by her scarf) man. The obvious themes (heroism, valor, human ingenuity) feel a bit cliche, even trite. Yet the collection of paintings, which bring together diverse strands of intellectual and art history, demand that the viewers address difficult questions about the value and preservation of human life amidst the demands of survival and commerce.

winslow homer northeasterHomer, who went on to create a stunning body of landscape paintings, later foregrounded nature and it’s massive, often prehistoric presence beyond the human scale.

Well over a hundred years later, disaster at sea is far from the minds of Americans and their artists. However, our focus has now shifted to disasters of which we are not innocent bystanders, but active participants. The stunning work of Edward Burtynsky, a landscape photographer, depicts scenes of human impact on the environment. The images are profoundly different from the more Romantic works of  Vernet & Homer, yet we still stare and gasp, and marvel at the shape, color and composition of disaster. CHNA_SHY_13Edward-Burtynsky-IBQ_08 20100916-Burtnsky3

 

Why You Love The Blues: Set Design Magic by Eve Stewart

November 26, 2012 § 1 Comment

BBC’s miniseries “The Hour”, now in it’s second season, represents some of the most daring and exacting set design on television. Oscar-nominated production design master (and a professional hero to me), Eve Stewart, brings her talents to this 6-episode drama. Best known for her work on “The King’s Speech”, Stewart creates a lush but subtle world set in in 1950s London.

Photos by OhSuchAPrimaDonna

Stewart balances the use of aqua blues with patterned and textured warm tones. The show’s drama unfolds mostly in the newsroom and it’s offices, painted in shades of grey and blue which evoke logic, modernity, and organization. We see warm colors, wallpaper and fabrics in more private scenes, driven by minor characters or extravagant behavior and events.

I love nearly everything about BBC’s “The Hour”: it’s characters, the writing and the tone. But most of all, I love the visual treasure Stewart has created, in which almost any screen shot or production still could function as a study for an Edward Hopper painting. Each scene in “The Hour” really is a work of art.

Stewart, perhaps best known for her work on “The King’s Speech”, also served as the art director for the upcoming production of Les Miserables. The acting, singing and directing will all be wonderful, I’m sure, but I’m most looking forward to the background.

Hallway from “The King’s Speech”

Stewart’s Production Sketch for “Upstairs Downstairs”, Courtesy of PBS

Stained Glass for the Modern World

November 12, 2012 § Leave a comment

As much as I adore patterned walls, some environments are better suited to finishes without motifs. Often, institutional or corporate settings require more neutral wall finishes. However,  windows can present an incredible opportunity to introduce pattern!

I adore the pattern used in this window at The House Cafe Corner in Istanbul (pictured above). Of the many ways to create crisp, patterned window finishes, fritted glass is by far the most durable and functional. Fritted glass involves baking a ceramic glaze directly onto the glass.

The resulting glass can create depth, texture and movement within the 2-D window surface. What an incredible way to introduce pattern to a modern structure!

Wiel Arets Architects: University Library UBU, Utrecht, Netherlands, 2004